Archive for June, 2009

Knaresborough Castle

Posted in Film, Harrogate, Life, Rangefinder, Zeiss on June 28, 2009 by sojournerphoto

Knaresborough Castle



Posted in Art, Film, Life on June 23, 2009 by sojournerphoto

Portra 400CN at mum's014mgs sm

I like the way the flare adds to this picture. More thoughts on this later.


Thoughts on process

Posted in Art, Film, Life on June 21, 2009 by sojournerphoto

Waiting for the late train

I’ve been thinking about the ideas of process and whether it is important to the art that we make, and particularly in the context of the, seemingly, commonly held and vocalised (or at list written on the web) view that it’s all about the picture and that nothing else matters. This already made me uneasy in the sense that it feels as though the end justifies any means to get there. There is already plenty of evidence that misleading images are displayed in all areas of the broad church of photography. Whilst it is obvious that advertising photography has no connection with reality – children do not expect to grow up to look like the retouched mannquins please – there is a more pervasive issue here, I think. We are surrounded by landscape and other genres of photography, much of it very beautiful and technically excellent, that is somehow dishonest in what it portrays. Now, I am not against manipulation and am not able to draw a line, but I have an increasing sense of unease with some of the results I am seeing championed by the gurus.

One tenet of this approach is that nothing matters but the image, and one of the things that doesn’t matter is process. For a while I bought into this argument, but somehow it has never quite sat comfortably with me. Now I find myself shooting a lot of 35mm film and being delighted with what I am getting – in all the imperfection that I could easily avoid with my digital equipment. It’s much harder work in some ways too – scanning is time consuming and needs to be worthwhile – but I am thoroughly enjoying the process. This of course should be irrelevant if the argument above is sound, and I am deluding myself for considering how I make a print to be important (similarly, I am probably deluded in thinking that there is some form of integrity that should be applied when making a print…).

BUT, I was talking with an artist the other day – a printmaker – who works with various approaches and she commented that she enjoys process and that it is important to her in making her art. Then talking to other artists in the group, it becomes apparent that process is important to each of them. In part this is because of what the process offers them and how that fits with their interests at the time and partly it is just the pleasure they get from creating in a certain way and with certain materials. – I spent some time sculpting and enjoyed working with the clay. Thinking about this I have come to believe that process is, or can be, important to art and that to deny this is both mistaken and actually a negative approach.

We live in a world where business is increasingly about efficiency and productivity. Being efficient and productive is best done by machines, and if we want people to be efficient and productive then we must persuade them to behave like machines at some level. Of course we are not machines, but living vibrant beings with spirit and emotions, which is why we make and enjoy art at all. I wonder if a part of being human is the connection back to the earth from which we are made, and in that light perhaps process is a central part of art and not just a means to an end. With this thought, perhaps the end result of the ‘image is all’ approach is dehumanising rather than uplifting – certainly I commented above on the ‘dishonesty’ in what is sometimes portrayed, which I consider to be dehumanising – and we need as individuals to step away from the ongoing pursuit of efficiency, the constand need to upgrade in our quest for perfection and choose a deliberate step back towards a less efficient and perfect approach, where we enjoy the journey as much as the destination.

For me at the moment that photographic is largely, but not exclusively, 35mm film. Your answer may be different, but make sure that you enjoy the process because the journey can be a long one…


I’m done – SoFoBoMo 2009 is up

Posted in Life, SoFoBoMo on June 18, 2009 by sojournerphoto

SoFoBoMo title

I am pleased to say that I have uploaded my completed book. Actually, in the end, it is not my book but ours. My daughter, Hannah, joined in and took photos with me. The book inlcudes photos from both of us and can be downloaded here.

 If you download it, it is best viewed at 100% resolution (if it will fit your screen properly) and 2 pages at once. I hope you enjoy.

For anyone interested in the technical stuff, all of my photos,except the last were taken with a Canon 1Ds3 and 100mm macro lens. Hannah’s with a Canon G7 and the last picture in the book is an older shot with my Canon 5D and a Zeiss 35 Distagon. Processing of raw files was in lightroom and I don’t recall using photoshop on this one.



Posted in SoFoBoMo on June 5, 2009 by sojournerphoto


Another SoFoBoMo image, although I’ve been preparing a print for a print swap at Rangefinder Forum.


SoFoBoMo 2009

Posted in SoFoBoMo, Uncategorized, Workflow on June 2, 2009 by sojournerphoto


A very quick post – I now have around 45 images gathered together and processed and am ready to try and form them into a book. I made small prints of them all and laid them out on a  table last night, which leads me to consider rejecting at least some of them. I may cut them back to only 35, but at least I think I have enough now.

The picture above was interesting in that although only a very small area is in focus, it threw the differences between some different raw converters into sharp focus. There is a lot of detail in the bark at the font of the Bay trunk and when I first ran this through Lightroom I was unhappy with the way the sharpening had created halos in the detail. Even baking the sharpening off left some artifacts that I didn’t like when viewed at 100% or even 50%. Although I eventually ran with this version for the book project(!) as the prints will only be very small I also experimented with DXo and canon’s own DPP. Both produced, in my view, a better rendering of the bark detail and DPP was my favourite by a small margin. The latter may have been affected by DXo not suporting the canon 100 macro on a 1Ds3, so the sharpening is not automated. If I were to print this at anything above about 9 by 6 inches then I’d use one of the other versions.

Some other thoughts on Mike Johnston’s post on The Leica as Teacher should follow shortly – as expecetd there was a lot of response to this both on his website and else where. I think the idea has some merit… more later.